Academic Profile

Dr. Manoranjan Ghosh
Teaching Philosophy

“There is always more than one side to a story, and more than one answer to a question.” As an educator, Shweta brings archaeology and anthropology into dialogue with lived experience. Her classrooms are spaces where students are encouraged to question disciplinary boundaries, recognise positionality, and engage critically with the world around them.

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Bio

Archaeology, Culture, and the Liberal Arts as a Way of Thinking

For Dr. Shweta Sinha Deshpande, archaeology has never been merely about the past. It has been a way of understanding how humans remember, belong, migrate, believe, and imagine themselves across time and space. Her work moves fluidly between ancient landscapes and contemporary societies, between material culture and living communities, and between the field and the classroom. What anchors this movement is a commitment to understanding how cultures are forged, sustained, and transformed.

Trained as an archaeologist, her academic journey began with the material traces of South Asian protohistory. Her doctoral work at Deccan College focused on cultural interactions in Central and Western India during the third and second millennia BCE, an inquiry, that refuses to treat cultures as isolated or static. Instead, her work approaches them as relational, dynamic, and interconnected, shaped by networks of exchange, technology, belief, and movement. Her engagement with archaeology has always gone beyond excavation; she has been deeply invested in how archaeological knowledge is produced, framed, and mobilised, how narratives gain authority, and how the past is appropriated in the present. Her work has contributed significantly to rethinking Chalcolithic South Asia, particularly in terms of crafts, technologies, interaction networks, and regional trajectories.

Over time, this sensitivity to interaction expanded beyond protohistoric societies to include contemporary questions of globalization, migration, religion, education, and identity. Whether examining Chalcolithic technologies or present-day religious iconography, her work consistently asks: what cultural baggage do people carry, often unconsciously, and how does it shape the worlds they inhabit?

One of her significant pedagogical contributions has been the development of the CBALwRAS model (Curriculum-Based Academic Learning with Research, Action, and Service), a framework that integrates curriculum, community partnership, and research for social impact. This model reflects her belief that education must be embedded in social realities and that knowledge-making carries responsibility.

Currently serving as the Director and Associate Professor at the Symbiosis School for Liberal Arts (SSLA), Shweta has a long and formative engagement with Liberal Arts education since 2008. Over the years, she has played a central role in shaping SSLA’s academic vision, curriculum design, community engagement, and internationalisation.

She is engaged in teaching courses across archaeology, anthropology, migration studies, history, along with interdisciplinary courses.

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Publications

  1. 2016 Chalcolithic South Asia: Aspects of Crafts and Technologies (Indus Infinity Foundation Series: Contribution to History of Indian Science and Technology) (with Vasant Shinde and Amrita Sarkar), Pentagon Press ISBN 13: 9788182749085
  2. 2011 Gazetteer of Indian Archaeological and Historical Sites: Vol. 1, Gujarat, (with V.S. Shinde) Aryan International Publishers ISBN 978-81-7305-413-6
  3. 2025 An Accidental Deity: A New Religious Icon for the Modern Age in Social Evolution & History, Volume 24, NUMBER 1 / MARCH 2025. (with Atiya Fatima and Afshan Majid) DOI: https://doi.org/10.30884/seh/2025.01.00
  4. 2025 An Exploratory Study on Bonding and Bridging Social Capital Among the Non-Displaced Kashmiri Pandits in Kashmir, India. Journal of Population and Social Studies [JPSS], 33, 596–610. (with Avinash Kaul). DOI: 10.25133/JPSSv332025.032 (https://so03.tci-thaijo.org/index.php/jpss/article/view/277074)
  5. 2024 Relooking at the Archaeology of Neem ka Thana Tehsil, Rajasthan, India in Archaeological Research in Asia. Volume 39, September 2024, 100538, ISSN 2352-2267. (with Dr. Esha Prasad). DOI: https://doi.org/10.1016/j.ara.2024.100538 (https://www.sciencedirect.com/science/article/pii/S2352226724000394)
  6. 2024 Curriculum and Community with Research, Action, and Service (CCBALwRAS), a Pedagogical Shift for Social Change submitted to Higher Education for the Future (with Dr. Sulakshana Sen, Ms. Gayatri Mendanha and others). https://doi.org/10.1177/23476311231210636
  7. 2023 A Reappraisal of the Chalcolithic of Central and Deccan India, Oxford Research Encyclopedia of Anthropology (with Dr. Esha Prasad). DOI: https://doi.org/10.1093/acrefore/9780190854584.013.567.7
  8. 2015, Craft and Technologies of the Chalcolithic People of South Asia: An Overview. Indian Journal of History of Science, 50.1, 42-54 (with V.S. Shinde)
  9. 2014, The Deccan Chalcolithic, in Dilip K. Chakrabarti and Makkhan Lal Edt. History of Ancient India, Volume II Protohistoric Foundations. (with V.S. Shinde and Others) Vivekananda International & Foundation Aryan Books International pp 487-497 ISBN-10 8173054819
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Education

  • Ph.D. 2003. “A Study of Cultural Interactions in Central and Western India during the Third & Second Millennia BC”, Deccan College Post-Graduate and Research Institute, Pune
  • NET, 1999.
  • M.A. 1996-98, Ancient Indian History, Culture & Archaeology with Dissertation Study of Chalcolithic Social Organization in Central India with special reference to Balathal, Deccan College Post-Graduate and Research Institute
  • B.A. Honours History 1993-96, Miranda House, Univ. of Delhi, Delhi
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Research Interests

  • Archaeology, Education, Globalisation, Migration, Religion
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Courses Taught

  • What is Anthropology?; Introduction to Archaeology: Theory and Techniques; Socio-Cultural Anthropology; Anthropology Today: Its applications; Shifting Homelands: Ideology, Migration and Conflict; From Ape to Alexander and Beyond: A Study in World Cultures; The Idea of Art; Understanding India; Religion: Their Greater Similarities and Finer Differences